New Trinity Baroque, Atlanta's leading baroque orchestra, chamber choir & ensemble

"Music for the Passiontide"
Church of ST. MARTIN-IN-THE-FIELDS, London
Friday, 27 March 1998, 1.05 pm
Vivaldi, Corelli and Caldara

New Trinity Baroque
on period instruments

Directed by Predrag Gosta

Gordana Kostic, soprano, Predrag Djokovic, countertenor, Emilio Garzia Diaz and Lada Magdalenic, baroque violins, Katrin Allott, baroque viola, Francisco del Amo Iri Barren, baroque violoncello (b.c.), Predrag Gosta, chamber organ (continuo)

P R O G R A M :

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ARCANGELO CORELLI (1653-1713):

Sonata da Chiesa, Op. 1, No. 10 in g-minor (1681)
a tre, doi Violini, e Violone o Arcileuto col Basso per l'Organo
Grave - Allegro - Allegro - Adagio - Allegro

* * *

ANTONIO CALDARA (c. 1670-1736):

'In lagrime stemprato il cor qui cade'
Recitativ & Aria (Maddalena) from oratorio
'Maddalena ai piedi di Cristo' (c. 1700)

Soloist: Gordana Kostic, soprano

* * *

ARCANGELO CORELLI:

Sonata da Chiesa, Op. 1, No. 11 in d-minor
Grave - Allegro - Adagio - Allegro

* * *

ANTONIO VIVALDI (1678-1741):

'Stabat Mater', RV 621
for alto solo, strings and continuo

Stabat Mater dolorosa. Largo
Cujus animam gementem. Adagio
O quam tristis. Andante
Quis est homo. Largo
Quis non posset. Adagio
Pro peccatis suae gentis. Andante
Eja mater, fons amoris. Largo
Fac ut ardeat. Lento
Amen. Allegro

Soloist: Predrag Djokovic, countertenor