HOME SITEMAP CONTACT
ABOUT US | CONCERTS | BIOGRAPHIES | PRESS | MULTIMEDIA | DISCOGRAPHY | SHOP ONLINE | SUPPORT US

 

Share |

Praised for her lively personality, abundant charm, and luscious vocalism (Chicago Tribune), soprano Erica Schuller is a versatile performer, bringing committed artistry to a broad musical repertory. Her particular affinity for Baroque repertoire has brought her increasing attention from some of the country's finest Early Music ensembles. Upcoming engagements include roles with The Boston Early Music Festival and a concert appearance with The Haymarket Opera Company’s Summer Workshop.

This past season, Ms. Schuller performed leading and supporting operatic roles with The Boston Early Music Festival, The Haymarket Opera Company and Opera Siam. In Boston, Ms. Schuller performed the roles of La Fortuna and Damigella in the 2015 Festival centerpiece opera L'Incoronazione di Poppea, and was praised for bringing beauty and bearing to her roles (Boston Globe). As Oriana in The Haymarket Opera Company's production of Handel's Amadigi di Gaula, Chicago Classical Review praised “her warm, agile soprano, full of passion and depth.” She also created the roles of Joan Strasinsky and Princess in the world premiere of the newly composed opera The Snow Dragon by award winning novelist and composer Somtow Sucharitkul, and was described as "ethereal" by Broadway World Magazine. She reprised these roles in Thailand with Opera Siam. Ms. Schuller also made her debut performance with Great Lakes Baroque this season, under the direction of renowned harpsichordist Jory Vinikour. Additional performances include a recital of English Baroque lute songs with The Church of Beethoven, a presentation of Couperin's Leçons de Ténèbres through St. Chrysostom's Church Concert Series in Chicago, and engagements with Second City Musick and Bella Voce ensembles.

Past performances include the roles of Vespetta in Telemann's Pimpinone and Lisetta in Scarlatti’s Gli equivoci nel sembiante, both with The Haymarket Opera Company in Chicago; Livietta in Pergolesi’s Livietta e Tracollo with the Boston Early Music Festival; the roles of Marzelline in Beethoven’s Fidelio and soprano soloist in Glass’s Hydrogen Jukebox with Skylight Theatre; Elvira in Rossini’s L’italiana in Algeri and Second Woman in Purcell’s Dido and Aeneas with The Florentine Opera Company; as well as concert engagements with the Milwaukee Symphony Orchestra, San Francisco Bach Choir, San Francisco Chamber Orchestra, and Bella Voce.

In addition to her work on the opera stage, Ms. Schuller can be heard as the voice of Marte in Duron’s Salir el Amor del Mundo, recorded for the Dorian Record Label with Richard Savino and El Mundo. She can also be heard on the Boston Early Music Festival's Grammy-nominated recording of Lully’s opera Psyché, which was performed in Boston in 2007.

Other operatic highlights include Armida in Handel’s Rinaldo, Pamina in Mozart’s Magic Flute, Belinda in Purcell’s Dido and Aeneas, and Amor in Cavalli’s L’Egisto, Noémie in Massenet’s Cendrillon, Euridice in Rossi’s L’Orfeo and Lazuli in Chabrier’s L’Étoile.

Originally from Wisconsin, Ms. Schuller received her Master of Music from the San Francisco Conservatory of Music, and holds degrees in Vocal Performance and Music Education from the Eastman School of Music. She currently lives and teaches voice lessons in Chicago.

For more information, visit ericaschuller.com.


Copyright © 1998-2013, New Trinity Baroque Inc. | Hosted by Early Music Network, Inc. | Web design by New Web Concept