Anna Marsh owns five bassoons and likes to play them. She has appeared with Tafelmusik, Indianapolis Baroque Orchestra, Opera Atelier, Seattle Baroque, The National Cathedral, Opera Lafayette, Washington Bach Consort, Ensemble Voltaire, Apollo's Fire, Foundling Orchestra, Americantiga, Chicago Opera Theater, the Hollywood Bowl, Banff Centre for the Arts, Musica nel Chiostro, the Bloomington Early Music Festival, Sante Fe Pro Musica, Aradia Ensemble, Indianapolis Museum of Art and others. Anna has also taught or given masterclasses at the Hawaii Performing Arts Festival, The Eastman School of Music, The Los Angeles Music and Art School, The Albuquerque Double Reed Workshop (now the Western Baroque Music Festival) and teaches privately. She co-directs the group Ensemble Lipzodes which toured Brazil in 2008 and Equador in 2010 and has recorded two cds. She also enjoys playing with Circa 1800, a classical woodwind quintet and with From the Depths, a group devoted to music and literature. Anna has been a concerto soloist with the Foundling Orchestra, Americantiga orchestra, the USC Early Music Ensemble and the Indiana University Baroque Orchestra. Anna has also worked in the library and/or administration at the Los Angeles Philharmonic, the Washington National Gallery of Art, Museum of the City of New York and the Weyerhauser Technology Center. She has recorded for Centaur, Avie, Naxos, the Super Bowl and Musica Omnia Record Labels.
(Anna Marsh collaborated with New Trinity Baroque for the first time in March of 2011, in Johann Sebastian Bach's Mass in B minor.)